sound and listening
——recent projects ——
quiet space
composer - binaural soundscape
A visual art and sound installation in collaboration with artist Kirsty Barlow.
The BEYOND Conference Quiet Space is a collaborative design by Barlow and Sara Wolff. Their shared vision is to create spaces that promote sensory calm and inclusion through thoughtful design and sound – reducing overwhelm for individuals who identify as neurodiverse.
This installation takes inspiration from Platt Fields Market Garden, a community hub and working market garden located in Platt Fields Park, Fallowfield. The fabric banners reflect the soft tones and textures of the garden’s flowers, while the accompanying binaural soundscape features field recordings captured within the garden itself, creates an immersive sensory experience.
The installation encourages reflection on how thoughtfully designed environments can support well-being, sensory calm and a sense of community.
picton play soundwalk
composer and producer
A geo-located soundwalk as part of the end of Metal Culture’s Picton Play Project.
Through creative workshops with local Wavertree community groups, participants were invited to write about a particular place in Wavertree that means something to them. Using original music, interactive sounds, field recordings and voicenotes from the neighbourhood, I made an interactive soundwalk can be explored in the Echoes app.
Read more here
imagining life underground with ellie towers
Sound artist and creative producer
A clay workshops for young families in Crosby Library, produced by At The Library.
The workshop was inspired by a sound piece by DARCH created for Liverpool Biennial. Participants were invited to make their own underground clay creatures using shiny pieces of insects they could find inside of a pile of soil on the floor. As their hands dug around, they also discovered the reverberant and strange echoes that the soil made.
sounds of goodison park
An archive of the neighbourhood sounds of the stadium in the months leading up to its closure.
I’ve recorded the sounds of the streets during the final six matches of the season, to document the sounds of the neighbourhood, ahead of the drastic change for businesses and locals. This will be presented as a sound map, as well as a sound installation.
ambisonic microphone build
I’m currently building a DIY ambisonic microphone together with sound artist Mali Draper
sounding the past
soundwalk facilitated with fiona brehony
Along the River Gout, for New Mills Festival in September 2025 to explore how sound connects memory and place while listening for traces of the area’s industrial past.
field recording and listening workshop - FACT Liverpool
facilitator, 2025
Crosby Beach (Alex Marcus Davies)
an inquest concerning teeth soundwalk
lead artist
Soundwalk on Crosby Beach for Liverpool Independent Biennial 2025, commissioned by The Royal Standard. Read more here
sound pals
I run a soundwalk collective, Sound Pals, exploring the neighbourhood sounds of Liverpool through active listening. With this project, in addition to testing different listening techniques and theories, I want to explore how active listening can build appreciation for the green spaces close to home, and build connections between people in the local community. Follow on Instagram and message to join the Whatsapp community.
facilitator
Princes Park (@saltinmyshoe)
March 2025
On our first soundwalk we walked in a loop around Otterspool Park in Liverpool.
The group walked for about an hour and a half, and afterwards we had a coffee and spoke about the things we heard.We spoke about how challenging sometimes it can be to get our ears tuned in to active listening and how nice it was to listen in silence together with others. The Otterspool soundscape featured the sounds of spring birdsong, wind through the leaves and people jogging, all against the backdrop of the very noisy Aigburth Road. Although at some points during the walk you could barely hear the traffic!
I made a soundmap for each person on the walk, mapping out the route, our stopping points and the landscape around it. I also created a list of writing prompts, inspired by some of Hildegard Westerkamp’s writings on soundwalks.

